Subtitle:
A novel
Edition:
First (1992)
Place of Publication:
New York, New York
Publisher:
Pantheon Books
Copyright Date:
1992
ISBN / SBN / ISSN:
0679412085
Source:
Donated by Warren Buss
Media Type:
Print (Non-Serial)
Media Sub-type:
Book
LoC Call Number:
PS 3565 .D46 S77 1992
Accession Number:
088143
Keyword Subject Headings:
Mesmer, Franz Anton 1734-1815--Fictional portrayal
Paradies, Marie Thérèse / Paradis, Maria Theresa von 1759-1824--Fictional portrayal
Paradies / Paradis, Joseph Anton--Fictional portrayal
Austria--History--Maria Theresa / Maria Theresia Walburga Amalia Christina (Empress) 1717-1780
Mesmerism / Animal magnetism / Hypnotism
Music--Classical era--European
Scientism / Science--Critique
Paradies, Marie Thérèse / Paradis, Maria Theresa von 1759-1824--Fictional portrayal
Paradies / Paradis, Joseph Anton--Fictional portrayal
Austria--History--Maria Theresa / Maria Theresia Walburga Amalia Christina (Empress) 1717-1780
Mesmerism / Animal magnetism / Hypnotism
Music--Classical era--European
Scientism / Science--Critique
User Notes:
Hardbound; 228 pp., comprising five numbered chapters,
an endnote with biographical details of the historical
persons portrayed in the novel, and "About the Author."
From the endnote:
"This novel is based on an incident in the life of Franz Anton Mesmer.
The manuscript that Mesmer discovers in chapter five is freely adapted
from Captain V. R. Myers's 1948 translation of Dr. Mesmer's 1779 treatise,
'Mémoire sur la découverte du magnétism animal.' See 'Mesmerism,'
introduction by Gilbert Frankau (London, 1948)."
From Brian O'Dohoerty's obituary in the "Dublin Review of Books"
by Luke Gibbons, dated November 16, 2022:
". . . The story weaves a compelling fictional account of the complexity
of real-life events surrounding the alleged restoration of sight to the
accomplished musician Marie Thérèse Paradies, by Dr Franz Mesmer,
the founder of modern hypnosis. The real-life Marie Thérèse’s talent
was such that Mesmer’s friend Mozart wrote a concerto for her,
but for Mesmer, 'the darkness … was in her mind and not her eyes'.
His theories of animal magnetism and universal fluids regulating
behaviour obscured his real discovery for subsequent psychology –
that of unconscious forces shaping the self, and the mind’s exertions
on the senses. On leaving Mesmer’s care, 'Mademoiselle P' reverted
to blindness but regained her musical prowess: the ultimate casualty,
in a world where powers of suggestion rule, is truth – 'How does the
truth survive at all?'"
